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art, music, etc. / Re: Stewart Copeland focused The Police performance
« on: May 24, 2023, 04:08:12 PM »I can't tell from it but he does sure sound on pitch.
Being in tune/on pitch is the point though. Part of what makes it noticeable is in the sustain of the notes. There's usually not enough vibrato and it sounds a little lackluster. The effect does seem to add it's own very slight vibrato to kind of disguise the generated tone better, which I imagine is user adjustable to tailor the effect to the singer better.
When singing naturally, most singers hit the note, then as it sustains and trails off, they add in some vocal vibrato. But when using a pitch correction effect, one that also supplements the voice with a computer generated matched tone, there's really no way to gate the intensity of an additional vibrato effect for the generated tone unless you were to use something like an expression pedal (like how a wah wah pedal is used for guitar). ANd even if you WERE to use an expression pedal to gate the amount of vibrato, it would probably sound very obvious and unnatural, because the note would likely shift at a smooth logarithmic frequency rather than whatever frequency the human voice normally does.
And if you're already singing AND playing another instrument (like a BASS, like Sting), it would be far too difficult to play the instrument AND control the vocal effect. I suppose it could be done, but it would take TONS of practice for a musician to get used to it. The problem is that you've already trained your limbs to control effects for the INSTRUMENT, not for your voice.