The Last House On The Left (2009)COOL!!!!
wow the hollywood experts talking im scared... dont make me laugh!!!You want to appear intellectuals in the forumIm just saying what movies I enjoyedThats the diference ...!!!
I'm not a fan of horror films anyway so I am biased, but sorry Spawngirl I can't see what any normal human being would find appealing about a film like last house on the left, fantasy/pretend or not. I heard the original is a lot worse but the entire concept is revolting.
The Last House On The Left (2009)
ok it seems I was /slightly/ misinformed, the remake isnt as bad as the old one by a long shot it seems
An ugly, disturbing, passionately conceived cult favorite, LAST HOUSE ON THE LEFT is much more complex (albeit crudely made) than its controversial reputation would suggest.[...]Expertly made on a tiny budget, this drive-in exploitation flick decisively transcends its genre. The extremely graphic violence is never played for thrills; indeed, Craven has said he wanted to resensitize Americans to the reality of violence in the wake of the Vietnam war. Craven--who would go on to polish his themes in the slicker THE HILLS HAVE EYES--never for a moment allows the viewer to sympathize with the killers, but he does provide a window of understanding into how seemingly senseless acts of violence occur.
Krug and company are back in director Dennis Iliadis' remake of Wes Craven's seminal 1972 shocker, and the result is a glossy, engaging suspense film that jettisons much of its predecessor's sadism and subtext in favor of crowd-pleasing revenge violence. Most agree Craven's original is a flawed classic, and while Ilaidis' redo improves on the original in many ways (better acting, no bumbling cops), this Last House aims to get us cheering rather than wondering just where we went wrong as a society.[...]Yet despite some marked improvements over the original, at no point does this Last House even come close to working on as many levels as its notorious predecessor. Iliadis, Alleca, and Ellsworth are all competent craftsmen, they're just more interested in keeping us on the edge of our seats than thinking about the deeper issues that drive the action. [...]Decades from now, film textbooks will still be pondering the undeniable stopping power and disturbing subtext of the original Last House on the Left. The new Last House, on the other hand, will get little more than a passing mention in the chapter dedicated to the creatively devoid remake trend and the reasons we tend to seek comfort in the familiar rather than encouraging our best artists to break new ground like Craven did at the onset of his career.
scenes of tremendously sadistic violence towards females and rape.